

Item # 1: JW's Photoshop
Gradients #1
Sphere production gradients.
This is a set of gradients for
Photoshop 4.0 through 6.0 designed specifically for creating spheres.
These gradients allow the user to create realistic spheres without
the use of expensive plugs. Optimal use of these gradients requires
the use of the standard included Spherize filter, found in the
Distort submenu.
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JW's Photoshop Spherical Gradients #1
PC Zip 21 K
Item # 2: JW's Photoshop
Art Brushes #1
This is a brush file for Photoshop 3.0
through 6.0. (Note than in 3.0, this file replaces the default or
other brush file, while in 4.0 and 5.0, the brushes accumulate until
the default brushes are restored or are individually deleted.)
This collection of brushes is primarily
for texturing and creating buttons in single application, rather than
being traditional brushes for use in repetitious application.
One note, I have included my "wipe"
brush, which is a solid 999 pixel diameter circle which will fill any
window quickly and efficiently with the foreground color, doing what
you always wished the paint bucket would do for you when you hit
Select All.
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JW's Photoshop Art Brushes #1
PC Zip 216 K
Item # 3: JW's Photoshop
Detailing Brushes #1
This is a set of traditional brushes
for Photoshop 3.0 through 6.0.
This collection of brushes is primarily
intended for creating highly detailed full dimensional lines and
ornate borders in repetative applications.
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JW's Photoshop Detailing Brushes #1
PC Zip 15 K
Item # 4: JW's Photoshop
Texture Brushes #1
This is a set of texturing brushes for
Photoshop 3.0 through 6.0.
This collection of brushes is primarily
intended for texturing selected areas in repetitious application.
Varying the opacity and spacing options will give a wide range of
texture effects from each brush.
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JW's Photoshop Texture Brushes #1
PC Zip 226 K
Item # 5: JW's Photoshop
Deco Brushes #1
This is a set of traditional brushes
for Photoshop 3.0 through 6.0. (Note than in 3.0, this file replaces
the default or other brush file, while in 4.0 and 5.0, the brushes
accumulate until the default brushes are restored or are individually
deleted.)
This collection of brushes is primarily
for illustrating a rough and angular art style that is a cross
between art deco and grunge.
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JW's Photoshop Deco Brushes #1
PC Zip 71 K
Item # 6: JW's Photoshop
Pepper Brushes #1
This is a set of detailing brushes for
Photoshop 3.0 through 6.0. (Note than in 3.0, this file replaces the
default or other brush file, while in 4.0 and 5.0, the brushes
accumulate until the default brushes are restored or are individually
deleted.)
This collection of brushes is primarily
for detailing in single application, rather than being traditional
brushes for use in repetitious application.
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JW's Photoshop Pepper Brushes #1
PC Zip 25 K
Item # 7: JW's Photoshop
Calligraphy Brushes #1
This is a set of traditional brushes
for Photoshop 3.0 through 6.0. (Note than in 3.0, this file replaces
the default or other brush file, while in 4.0 and 5.0, the brushes
accumulate until the default brushes are restored or are individually
deleted.) Here are a few examples from the collection.
This collection of brushes is primarily
intended for creating lines in the same fashion as calligraphy pens
in repetative application. However, a number of other effects are
possible with these brushes.
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JW's Photoshop Calligraphy Brushes #1
PC Zip 3 K
Item # 8: JW's Photoshop
Sky Gradients #1
This is a set of 20 gradients for
Photoshop 4.0 through 6.0 designed specifically for creating sky
effects. These gradients allow the user to create realistic skies
without the use of expensive plugs. The use of rendering and
distortion filters, several of which are standard parts of the
Photoshop download, may be used with screen or lighten layer
precedures to add cloud effects to the skies. Others are available as
freeware on the internet.
To use, follow the simple instructions
in the ReadMe file.
I suggest studying the gradients within
the gradient editor and using them as templates to add new colors and
create new effects. The editor is quite easy to use, and it is
ultimately flexible.
This archive is freeware. Only two
restrictions apply. First, any commercial distribution is prohibited
without first contacting me in writing. Second, any distribution must
be accompanied by the ReadMe file.
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JW's Photoshop Sky Gradients #1
PC Zip 12 K
Item # 9: JW's Photoshop
Primary Color CLUTs
CLUT files are localized color tables,
the same as those found in GIF and other Indexed Color formatted
files, web palettes, and gaming sprites. This collection of thirteen
CLUT files is for use with color separation processes that involve
the additive and subtractive primaries.
Each of the files is an 8 bit, 256
color table. One is a grayscale. There are three additive primary to
black cluts (Channel), and three additive primary to white (Fade)
files. In reversal, there are three subtractive primary to black
(Channel) and three subtractive primary to white (Fade) files.
The grayscale is used on converted RGB
channels, while the others are used in separation layers. The
additive Fade files correspond to the subtractive Channel files in
negative image reversal, while the additive Channel files correspond
to the subtractive Fade files. In other words, the Cyan Channel is
the negative of Red Fade. This allows a three CLUT swap to facilitate
a tri layer positive (RGB) to a tri layer negative (CMY)
transition.
Those with 24 bit RGB to CMYK
conversion experience should get the picture right away.
Aside from primary color separations,
they can be used for monochrome effects or combined for duotone,
tritone, quadtone, and other effects by layering different images or
the same image offset with the nudge tool. The various layer
processes can produce a wide variety of results.
They can also be applied to RGB channel
copies and used in layers for color adjustment effects by adjusting
opacity. Use of the grayscale CLUT during the mode change to define
the channel assures a consistent transfer from channel to image. When
the conversion is made, the CLUT is loaded as the choice of process
for conversion, rather than exact, adaptive, etc.
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JW's Photoshop Primary Color CLUTs
PC ZIP 10 K
Item # 10: JW's Arbitrary
Map, Curve, and Level Presets #1
Arbitrary Map, Curve, and Level files
are all presets that can be loaded into the Image/Adjust/Curves and
Image/Adjust/Levels menu function of Adobe Photoshop to change the
image brightness, contrast, and color balance. These presets can be
quite subtle or totally outrageous. In many ways, these presets act
much as filters do in achieving image effects, but come in much
smaller packages.
As a rule, I use Level presets
(Image/Adjust/Levels) for more basic alterations, such as brighten,
darken, fade, pale, and slight color shifts, like making something
appear to be under incandescent lighting after achieving a sunlight
color balance. The Level files in this archive are largely
utilitarian presets used for specific applications. The names are
logically assigned.
Curve and Arbitrary Map [AMP]
(Image/Adjust/Curves) have a lot more flexibility in defining tonal
and color shifts. Therefore, the wilder alterations are usually saved
here, and most would be classified as special effects. Consequently
they have rather illogical and fanciful names. Logical names are
difficult to apply, because these extreme effects are seldom similiar
for different images. Arbitrary Map files are usually less
predictible, because their color relationships do not possess
continuous lines on the graphs like Curve files possess. However,
it's not that difficult to get an educated feeling for the presets
with a little experience applying them to various images. It is not
difficult to run through a series of presets to see if any will
produce the effects that are or could be desired.
The effects possible using these tools
can be a lot of fun and are largely over-looked for their filter-like
effects. They're much smaller than filters, very easy to produce in
quantities, and work very well with actions.
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JW's Arbitrary Map, Curve, and Level Presets #1
PC ZIP
16 K
Item # 11: JW's Convolution
Kernels #1
This is a set of kernels for use with
the Custom Fliter found in all versions of Photoshop.
Kernels are usually a mystery to most
Photoshop users in their early days of learning to use the Adobe
graphics beast. And once the mystery is gone, they are generally
ignored in favor of more sophisticated filters. But they do have
their uses and can achieve effects that other filters can't.
Convolution is a rather obscure formula
vehicle for altering the tonal value of neighboring pixels by adding
or subtracting to the RGB values in a mathematical context.
Sometimes, a seemingly severe set of matrix values does very little
to the image quality, while some that seem most innocent can have
drastic effects. And the effects can vary from image to image,
depending on tonal and color value ranges of the image.
The 3X3 and 5X5 matrix arrangements for
convolution can be rather difficult to understand, but it's based
largely upon comparative vaues. The matrix uses integer values from
-999 to 999, and are more important in their relative ratio to the
central, scale, and offset figures than their actual value. If the
central value and scale are in the low range, say 1 to 5, then a +1
change of a matrix figure has a drastic effect. If the central value
and scale are in the 950 range, then a +1 change is negligible.
Offset is a general fudge factor to adjust the overall values in
blanket adjustment fashion, generally to adjust overall brightness.
Balance/imbalance of the surrounding matrix is a prime factor in the
specific results.
The primary limitation to convolution
is that it is a color/tonal filter system, not the distortion or
overwrite filters as so many of the popular newer code based filters
are. But they still have their usage in achieving
color/saturation/tonal shifts, edge effects, pixelation effects, and
more. They certainly have their place in the array of Photoshop
tools, no matter how forgotten or misunderstood they may be.
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JW's Convolution Kernels #1
PC ZIP 5 K
Item # 19: JW's Photoshop
Musical Brushes
This is a set of traditional brushes
Photoshop 3.0 through 6.0. (Note than in 3.0, this file replaces the
default or other brush file, while in 4.0 and 5.0, the brushes
accumulate until the default brushes are restored or are individually
deleted. In 6.0, the Preset Manager will be needed to install
them.)
This collection of brushes is primarily
intended for creating musical notation for design and defining
musical scores.
See the instructions in the Art Brushes
section above for using these brushes.
This archive is freeware. Only two
restrictions apply. First, any commercial distribution is prohibited
without first contacting me in writing. Second, any distribution must
be accompanied by this ReadMe file.
Download
JW's Photoshop Musical Brushes #1
PC Zip 20 K